Abstract: The paper traces the emergence, evolution, and typologies of the artist’s studios from a cultural-historical perspective. From a standpoint of architectural history, it employs case studies of artists’ and architects’ workspaces to analyze the spatial and functional characteristics that influence the creative practice. Simultaneously, through the lens of art-architecture linkages, it uncovers the intrinsic dynamic between creation and spatial design. Effectively bridging the disciplines of art and architectural history, the paper posits that studios embody a duality of privacy and publicity, functioning as both pragmatic spaces and experimental process spaces. The studios demonstrate the dialectical relationship between artistic space and spatial art, revealing the parallel evolutions of art and architecture through the medium of spatial design.