地平天成四方共生——应县木塔三层设计方法研究

Harmony between Heaven and Earth and Coexistence of Four Buddhas: A Study of the Design Method of the Third-Floor Plan of the Timber Pagoda in Ying County

  • 摘要: 本文以探究应县木塔三层铺作层的斜栱平面与该层平面生成的关系为切入点,在基本模式中综合运用正八边形的构建方法,推导应县木塔三层平面设计手法。分析后认为应县木塔三层平面是以佛台为中心,以斜栱平面来界定本层内槽与外檐的范围,配合正方形旋转抹角的精确方式进行设计的。之后将基本模式中正八边形组合的边长直径比例关系应用于本模式中的断面设计,经验证与应县木塔三层断面现状相符。在平面与断面设计的推导与探讨中,发现了斜栱以不同形态在不同设计阶段发挥的作用、平面设计与传统八棱模式之间存在的精度差异,进而展开对应县木塔三层斜栱作用以及与传统八棱模式的对比探讨。

     

    Abstract: Investigating the relationship between the inclined bracket plane of the third - floor structure of the Timber Pagoda in Ying County and the plane of the same floor, this paper employs the octagonal construction as the basic model and deduces the design techniques for the third - floor plan of the Timber Pagoda in Ying County. As a result an in - depth analysis, it concludes that the design of the third - floor plan centers around the Buddhist altar. The inclined bracket plane is utilized to define the boundaries of the inner niche and the outer eaves, and the design incorporates a precise method of rotating the square corner. After applying the ratio relationship between the diameter and the side length of the octagon combination in the basic model to the section design of the current model, it verifies that this approach aligns with the actual situation of the third - floor section of the Pagoda. In this research of the Pogoda’s plans and sections, the paper recognizes the role of the inclined bracket at different design stages, and finds precision discrepancies between the plane design and the traditional octagonal model. It also discusses the role of the inclined bracket in the third - floor structure of the Pagoda in comparison with the traditional octagonal model.

     

/

返回文章
返回