《营造法式》小木作制度中的“芙蓉瓣”或“壸门”之模数意义探微

An Exploration of the Dimensions and Modular Significance of “Furongban” and “Kunmen” in the Regulation of Non-Structural Carpentry in Yingzao Fashi

  • 摘要: 基于对《营造法式》小木作制度与小木作功限的反复阅读,对其中的佛道帐、转轮经藏、壁藏等小木作营造中出现的“芙蓉瓣”一词加以梳理分析,认为宋代小木作中暗含了某种模数化体系。并且注意到长度为1.2尺与0.66尺的芙蓉瓣,分别是佛道帐与转轮经藏及壁藏之设计与营造中使用的模数单位长度。进一步分析,又发现牙脚帐坐“每一尺作一壸门,下施龟脚,合对铺作”做法中,可能存在长度为1.0尺的模数单位。在此基础上,又通过面广与进深尺寸及补间铺作数,推测出九脊小帐中亦可能存在长度为0.8尺的模数单位,而平面为曲尺形的壁帐中,则可能暗含长度为1.0尺的模数单位。以上可为揭示宋代小木作制品的设计与营造中巧妙的内在模数与造型韵律提供帮助。

     

    Abstract: This paper delves into the ancient Chinese architectural system known as xiaomuzuo (non-structural carpentry), as documented in the “Yingzao Fashi”, focusing on the term furongban used in constructions like Buddhist and Taoist tents, zhuanlunjingzang (revolving sutra cabinet), and bizang (wall cabinet). Through an in-depth analysis of the xiaomuzuo system, this study uncovers a modular system within the Song xiaomuzuo, characterized by specific unit lengths of 1.2 chi and 0.66 chi. The deeper investigation reveals hidden modular units of 1.0 chi hidden in the tent of yajiao, along with 0.8 chi in the jiujixiaozhang (nine ridged small tent) and another 1.0 chi in the L-shaped plan formed bizhang (wall tent). These findings shed light on the intricate modular arrangements and stylistic coherence embedded in the design and construction of xiaomuzuo structures during the Song dynasty.

     

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